Collectors can expect these fine-art prints to last over 200 years. Jerry makes each print using a HP DesignJet z3100 photo printer with HP Vivera pigment inks on Hahnemuhle FineArt Baryta® paper, 325 gsm.

After drying, the print is mounted with T-hinges onto Artcare® archival acid-free foam board. Jerry cuts a double mat from Rising® white museum mounting board, which is 100 percent cotton rag, acid free, and buffered. The mat size is 24" x 24" with a 16" x 16" window. This creates an ample 4" border on each side.

The presentation is completed with a handsome matte black metal frame by Techline®. The frame's wide edge (1-3/8") gives the prints a real "gallery look." We include a P-99 OP-3 acrylic non-glare sheet ("glazing") to minimize reflection and provide UV protection.

Note: The detail of the prints is stunning. Ample lighting is required to fully appreciate the rich textures and colors. In the display shown (above), low watt halogen lighting is used from above.